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» natequarter:love when shakespearean tragedies imply that the audience are complicit in the protagonist’s downfall/how the story unfolds

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

natequarter:love when shakespearean tragedies imply that the audience are complicit

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