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» lapitiedangereuse: Hope is a terrible thing - Pier Paolo Pasolini.
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Forhandsthatsuffer: Salò, Or The 120 Days Of Sodom (1975), Dir. Pier Paolo Pasolini
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Gaetanopezzella: Roma, Pigneto “Cinema Impero” Street Art By Diavù &Amp;Ldquo;Mario Monicelli, Anna Magnani, Sergio E Franco Citti, Pier Paolo Pasolini&Amp;Rdquo; Photo Gaetano Pezzella
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Flowerbundy: Salò O Le 120 Giornate Di Sodoma, 1975
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Catastrofe: Pasolini + Welles = Ricotta (&Amp;Frac12;)
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Lapitiedangereuse: Nothing Remains But To Hope The End Will Come To Extinguish The Unrelenting Pain Of Waiting For It.” ― Pier Paolo Pasolini, Poems
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Mabellonghetti: Silvana Mangano And Pier Paolo Pasolini On The Set Of “Teorema” (1968)
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Barcarole: Orson Welles And Pier Paolo Pasolini Filming La Ricotta, 1962.
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Chagalov: Maria Callas In Medea (Pier Paolo Pasolini, 1969) -By (Attributed To) Mario Tursi [+] From Kapandji-Morhange
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Keyframedaily: Nearly 40 Years After His Death, Pier Paolo Pasolini Is Still Speaking To Us.
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Avereventanni: &Amp;Ldquo;Il Decameron&Amp;Rdquo;, 1971 Pier Paolo Pasolini
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Vital-Dust
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Needforcolor: L’uomo È Sempre Stato Conformista. La Caratteristica Principale Dell’uomo È Quella Di Conformarsi A Qualsiasi Tipo Di Potere O Di Qualità Di Vita Trovi Nascendo. Forse Biologicamente L’uomo È Narciso, Ribelle, Ama Proprio La Propria
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